The image of a bat in Andro Eradze's Subject Singing is set against a green background and is framed in a metal frame with ornamental accents at each corner. The bat becomes a ghostly apparition as a result of the image's green color, which gives it a bizarre, even frightening feel. Here, Eradze's use of color and framing heightens this feeling of otherness, maybe implying themes of nature's obscurity or the mystique surrounding nocturnal species. Bats are frequently associated with the unknown or the weird. An further layer of uncertainty is introduced by the title, Subject Singing. It might allude to an unheard voice or presence, bringing to mind the idea of giving voice to underrepresented or ignored entities.