"So I came up with the idea of replacing the titles titles with the notes of the musical scale, which I placed at the end of each text. This saved me a lot of time and gave me a lot of freedom when writing. On the other hand, I could sometimes interpret the musical notes in the form of homophonies (mi mi si la ré: mimi scie la raie, cruel music). Then, to go even faster, under the assumed name of "Léon stutterer" I wrote doubled, tripled (and more) the syllables. It was at the end of the 90s, finally, that I found the final process, a simple layout: by placing the coloured words and musical notes on either side (top and bottom) of the letter equation. I don't see, today, how I could go any faster to solve such anagrams. such anagrams. On the other hand, for each text, I still have to find the right tone to express what I want to say, which is certainly beyond any method." - translation from Jean Dupuy, "Privilège"

Sitography: DUPUY, Jean, "Jean Dupuy. Privilège. 2018", www.hotelwindsornice.com
www.hotelwindsornice.com/room/jean-dupuy/
EDIZIONI CONZ BERLIN, edizioniconz.com,
edizioniconz.com/editions/mi-mi-la-la-re
FRAC BOURGOGNE, frac-bourgogne.org
www.frac-bourgogne.org/collection/fiche/?id=205&lang=fr